Kadak Singh Movie: Renowned filmmaker Aniruddha Roy Chowdhury’s most recent Hindi film, “Kadak Singh,” has made its debut exclusively on the OTT platform ZEE5. Dive into our review to uncover the essence of the movie.
Plot Summary:
AK Srivastava (played by Pankaj Tripathi), an upright officer in the Financial Crimes Department (DFC) in Kolkata, grapples with amnesia while investigating a chit-fund scam. With fragmented memories, he pieces together the events through accounts from his daughter Sakshi (Sanjana Sanghi), girlfriend Naina (Jaya Ahsan), subordinate Arjun (Paresh Pahuja), and Chief Tyagi (Dilip Shankar). The film delves into AK’s journey of recovering his memory, solving the case, and unraveling the mystery behind the moniker “Kadak Singh.” To discover the secrets, one must watch the film.
Pros:
Crafted by Viraf Sarkari, Ritesh Shah, and Aniruddha Roy Chowdhury, the narrative unfolds with intrigue, skillfully brought to life by director Aniruddha Roy Chowdhury in the first half.
Pankaj Tripathi’s performance is commendable, blending seriousness with witty moments that undoubtedly bring joy to the audience.
Sanjana Sanghi delivers a compelling performance, adding significant emotional depth to the storyline. Jaya Ahsan also shines in her impressive Bollywood debut.
Dilip Shankar and Paresh Pahuja deliver satisfactory performances in their respective roles.
Cons:
Despite the promising premise of an amnesia patient solving a case through gathered stories, the director falters in execution, mainly due to screenplay issues.
The second half loses control of the narrative, with scenes, especially the climax, lacking curiosity and instead inducing boredom. Despite a cohesive connection, attempts to infuse intensity through the screenplay fall flat.
Casting choices prove to be a drawback, as the potential of lead actor Pankaj Tripathi is not fully exploited. The decision for Parvathy Thiruvothu to accept a role unrelated to the story raises questions, leaving two brilliant actors underutilized.
The background music during tense scenes is a flaw, feeling inappropriate and contributing to viewer detachment. The use of the Sitar even in intense moments is surprising.
Technical Aspects:
Aniruddha Roy Chowdhury struggles to make a lasting impression with both his writing and direction. While the first half is well-narrated, the second half fails to maintain momentum.
The music falls short of expectations, failing to captivate at various junctures. Cinematography is satisfactory, but the editing could have been more dynamic in the latter half.
Verdict:
In conclusion, “Kadak Singh” falls short as a thriller. While Pankaj Tripathi and Sanjana Sanghi deliver commendable performances, pacing issues, particularly in the second hour, lead to moments of boredom. Aniruddha Roy Chowdhury’s direction and the subpar score emerge as additional drawbacks for the film. Considering these aspects, exploring alternative entertainment options this weekend might be a more rewarding choice.